新加坡秋拍精品赏析——元钧窑天蓝釉蒜头瓶

提示您，本文原题为 -- 新加坡秋拍精品赏析——元钧窑天蓝釉蒜头瓶

钧窑瓷器历来被人们称之为“国之瑰宝” ，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。元代钧窑制瓷生产极为兴盛的同时，在产品造型、胎釉特征、装饰风格等方面与前代宋金时期相比也有了一些新的变化，展现出自身的时代风貌，因此今人对钧窑这一时期的产品常有“元钧”的称谓。

钧瓷之美胜于釉色，三分人力，七分天成，其间色彩的流淌与幻化，非巧思可以成就，尤以紫钧最为典雅，釉彩之绚丽宛若晚霞，而釉质之细润，犹似一泓静谧湖水。其烧造颇为周折，先需模制成型，再经多次素烧、施釉。因釉彩本身乳浊黏稠、流动缓慢，故上下加迭色泽不同的釉彩，极易形成斑斓、交织的现象，乃至一窑一火烧制的钧瓷，变化万端，无一相类。

Jun kiln porcelain has always been known as the "national treasure", in the song dynasty five famous kiln with "glaze with five colors, gorgeous unsurpassed" and a school of its own. The ancients used the poem "sunset purple suddenly becomes haze" to describe the beauty of jun porcelain with its flexible and subtle changes. The production of jun kiln porcelain in the yuan dynasty was very prosperous. At the same time, there were some new changes in product shape, fetal glaze characteristics, decorative style and other aspects compared with that in the song and jin dynasties of the previous dynasty, which showed their own style of The Times. Therefore, people today often call the products of jun kiln in this period "yuan jun".

Jun porcelain is more beautiful than glaze, three manpower, seven days into, during the flow of color and illusion, can not be accomplished, especially purple jun most elegant, brilliant glaze color like sunset, and the glaze fine, like a quiet lake. The firing is quite complicated, the first need to mold into the type, and then through a number of fire, glaze. Because the glaze itself is opaque and thick and flows slowly, it is easy to add glaze colors with different colors to form a colorful and interweaving phenomenon, and even jun porcelain fired by one kiln with one fire can change thousands of ends without any similarity.

新加坡秋拍精品赏析——元钧窑天蓝釉蒜头瓶// //

元钧窑天蓝釉蒜头瓶

此件元钧窑天蓝釉蒜头瓶高21.5cm ，底径6cm ，瓶口呈似蒜头，束颈，敞腹，通体施以天蓝色釉，釉面肥厚莹润，局部泛出玫瑰色紫红斑块，红蓝相映，分外夺目。积釉肥厚，浑浊失透，釉面鬃眼明显，是元代钧窑的显著特征。肉眼可见釉内气泡大而疏以及釉水流动痕迹。施釉不到底，圈足宽厚，内外无釉，露黑灰胎。经专家鉴定为元代钧窑精品之作，收藏价值与艺术价值兼具。

This piece of jun kiln sky blue glaze garlic bottle is 21.5cm high, bottom diameter of 6cm, the mouth of the bottle is like garlic, cordneck, open belly, the whole body with sky blue glaze, glaze thickening jade-run, local out of rose purple spot, red and blue, especially eye-catching. The thickened glaze, turbidity and loss of transparency, and the obvious glaze bristles were the prominent characteristics of jun kiln in yuan dynasty. Naked eye can be seen in the glaze bubble large and thin and glaze water flowing trace. Apply glaze not bottom, circle full width, inside and outside without glaze, dew black gray tire. Expert appraisal for the yuan dynasty jun kiln fine works, collection value and artistic value.

新加坡秋拍精品赏析——元钧窑天蓝釉蒜头瓶// //

元钧窑天蓝釉蒜头瓶

蒜头瓶，明清时期景德镇窑常见的一种瓶式之一，仿自汉代青铜蒜头壶，长颈，削肩，圆腹，圈足，瓶口而得名。状如蒜头而颈略长，亦可称之为虎爪瓶。瓷制蒜头瓶始烧于宋代，流行于明清，以景德镇窑制品为多见，品种有青花、五彩、洒蓝描金等，其中元代钧窑蒜头瓶存世尤为少见

Garlic bottle, jingdezhen kiln in the Ming and qing dynasties a common type of one of the bottles, imitation from the han dynasty bronze garlic pot, long neck, cut shoulders, round belly, circle feet, bottle mouth named. Shape such as garlic and neck slightly long, also known as tiger claw bottle. Porcelain garlic bottle began to burn in the song dynasty, popular in the Ming and qing dynasties, jingdezhen kiln products are more common, varieties of blue and white, multicolor, sprinkle blue painted gold, among which the yuan dynasty jun kiln garlic bottle is particularly rare

新加坡秋拍精品赏析——元钧窑天蓝釉蒜头瓶// //

元钧窑天蓝釉蒜头瓶

钧窑瓷器由于在宋代是皇宫的专用瓷，数量和造型受到宫廷的严格控制，而钧窑的浑然天成的艺术价值也是人们所青睐的，所以在拍卖市场上一直受到藏家的厚爱，价格呈现稳中有升的趋势。早在2009年，一件北宋钧窑窑变釉大花盆就曾以5800万人民币成交。另外，由于钧窑瓷器的传世品较少，真品在明代以后就非常难得，因此保存完好的钧窑器极为难得。

钧瓷以窑变美妙的艺术，不仅受到民间的青睐，更受宫廷的偏爱，并把钧窑垄断为官窑，特意在钧瓷的故乡——禹州城北门里的钧台附近设窑，专门为宫廷烧造御用品。由于宫廷以豪华奢侈为尚，选料严格，不计成本，工艺要求更高，由原系为民间烧制的碗、盘日用生活器皿，改烧各式花盆和盆奁儿，以及尊、瓶、炉之类的艺术陈设品。所烧钧瓷禁止在民间流传，当开窑都由官府派职官把关监选，合格者当选，其余一律砸碎就地深埋。因钧窑器物，其釉色灵活、变化微妙，世上绝无相同之两件钧瓷，更显其独一无二，巧夺天工。此瓶器形饱满，釉色静怡，着实珍贵。

Jun kiln porcelain was the special porcelain for the imperial palace in the song dynasty. The quantity and shape of jun kiln were strictly controlled by the imperial court, and the artistic value of jun kiln was also favored by people. Therefore, it was always favored by collectors in the auction market, and the price showed a trend of steady rise. As early as 2009, a large glazed flowerpot from junyao kiln in the northern song dynasty sold for 58 million yuan. In addition, due to the small number of jun kiln porcelain handed down from generation to generation, authentic jun kiln ware was very rare after Ming dynasty. Therefore, well-preserved jun kiln ware is extremely rare.

Jun porcelain kiln into a wonderful art, not only favored by the people, but also favored by the palace, and the jun kiln monopoly for the official kiln, specially in the hometown of jun porcelain - yuzhou city north door near the juntai kiln, specially for the palace to bake royal goods. Because palace is shang with luxurious luxury, select material is strict, do not calculate cost, craft requirement is higher, by original department the bowl that makes for folk, dish daily use household utensils, change to burn all sorts of flowerpot and basin dowry son, and respect, the artistic display such as bottle, furnace is tasted. The burnt jun porcelain was forbidden to spread among the people. When the kiln was opened, officials were appointed by the government to supervise and select the qualified ones. The rest were smashed and buried on the spot. Due to jun kiln wares, their glaze color is flexible and delicate. There are no two jun porcelains of the same kind in the world, which are more unique and skillful. This vase shape full, glaze quiet, really precious.