精品赏析—乾隆绿地粉彩六方将军罐

提示您，本文原题为 -- 精品赏析—乾隆绿地粉彩六方将军罐

乾隆时期，（1736－－-1795)为清代瓷器制作的鼎盛期，从乾隆开始，粉彩在彩瓷的领域中几乎完全取代了五彩的地位。这时粉彩的质量虽不如雍正时期那样的秀丽淡雅，但在装饰工艺上渐趋繁缛，形制上丰富多样，特别是用于陈设的各大器型，如转颈瓶，转心瓶，将军罐，天球瓶，扁瓶，多角瓶等甚为流行。这些工艺繁复，色彩浓艳明丽的器皿是乾隆彩瓷志制品中的杰出代表，同时，装饰工艺的发展使得仿生瓷器的成功烧制成为可能，利用粉彩粉润柔和的质感，层次分明的色泽，石，木及各种动植物的色调和质感都能够准确细致的加以表现。

Qianlong period, (1736 ---1795) for the Qing Dynasty porcelain production of the heyday, from Qianlong, the field of pink in the field of color porcelain almost completely replaced the status of colorful. At this time, the quality of the powder is not as beautiful as the period of the period, but in the decoration process gradually become more and more complex, the shape of a variety of forms, especially for the main types of equipment for the installation, such as neck bottles, turning heart bottles, general cans, sky-ball bottles, flat bottles, multi-angle bottles and so on very popular. These craft complex, colorful and beautiful utensils are the outstanding representative of Qianlong color porcelain products, at the same time, the development of decorative technology makes the successful burning of bionic porcelain possible, the use of powdered soft texture, layered color, stone, wood and a variety of animal and plant tones and texture can be accurately and meticulously expressed.

粉彩的发展历程可以概括为“始于康熙，精于雍正，盛于乾隆” ，也就是说乾隆时期的粉彩甚为盛行，在彩瓷领域中已取代了五彩趋于主导地位。整体来说乾隆时期烧制的器物没有明代瓷器的大气典雅，没有康熙的古朴浑厚，也不如雍正的秀美雅致，而呈现出一种雍容华贵、玲珑精致的风格，在工艺技巧上则前无古人后无来者，在造型上则别出心裁地进行了发明创造，所以收藏价值是非常高的！

The development course of pink can be summed up as "starting from Kangxi, refined in Qianlong, in Qianlong", that is to say, the Qianlong period of powder is very popular, in the field of color porcelain has replaced the dominant position of multicolor. Overall, Qianlong period burned artifacts without the Ming Dynasty porcelain atmosphere elegant, no Kangxi's quaint thick, nor as elegant as the beautiful beauty of the show, and presents a beautiful, elegant style, in the craft skills before the ancients after no one, in the shape of the invention, so the value of the collection is very high!

精品赏析—乾隆绿地粉彩六方将军罐// //

高度58cmHeight 58cm

此件粉彩六方将军罐。瓶体修长，瑞兽加身，线条流畅，器身施珐琅彩料，以花卉纹为主，图案清晰，多姿多彩，雍容华贵。器型大方、端正，保存完好，十分难得。每个开光面边框的设计十分精巧别致，无不让人赏心悦目，整个六方图案，承上启下，表现画师深厚的功力和精湛的画艺。由著名的督陶官唐英大师所造。这件粉彩六方将军罐，具有珍贵的收藏价值。乾隆时期，瓷器工艺可以说达到六方瓶，又称六棱瓶。明中晚期流行的瓶式之一，因瓶体作六棱柱形而得名。乾隆皇帝儒雅好古，对于康熙、雍正时期遗留宫内的粉彩瓷更视为珍宝。除承前制继续在宫中烧制外，并为每件器物配制楠木匣钵，专门储藏于乾清宫粉彩瓷的专库(端凝殿)内。乾隆时期粉彩瓷在知名度上远远超过了康、雍两朝，器型更加丰富。此时珐琅作里，群英荟萃，人才济济，有专画花鸟鱼虫的画家余省，画人物楼景的画家张廷彦，画人物花卉的画家金廷标等达17人之多。是参与画粉彩瓷器制作人员最多的时期。乾隆时期的画匠大多来自广东、江西和宫廷，乾隆皇帝还从江西调会画磁器、会吹釉水兼炼料烧造磁器匠役胡信侯入内廷造办处。形成乾隆粉彩瓷“取材种类多样”、“装饰繁缛华美”的艺术特色。乾隆时烧粉彩瓷的地点除了延续在清宫内务府造办处外，在圆明园造办处亦有烧造。出现了珐琅彩与粉彩合绘的现象，同时多使用轧道工艺表现器物的立体效果。瓷器部分汇集了清康熙、乾隆、嘉庆、道光等朝官窑瓷器，其中乾隆时期的一对黄地粉彩描金堆花博古纹六方瓶皇家御用瓷是本场拍卖的最大亮点，与此相仿的一件拍品曾在2007春季香港苏富比拍卖中以2272万港元的高价成交，国内目前仅见上海博物馆藏有一件器型、纹饰相同的“清雍正绿地粉彩描金堆花博古纹六角形瓶” ，此件精品将会在拉斯维加斯亮相，实属难得。

This piece of powdered six-sided general can. Bottle body slender, rui beast plus body, smooth lines, body cast color material, to flower pattern-based, clear pattern, colorful, elegant and luxurious. The instrument is generous, correct, well-preserved, very rare. Each open-light border design is very delicate and chic, all people are pleasing to the eye, the whole six-sided pattern, bearing the up and down, the performance of the artist's profound power and exquisite painting. Created by the famous tao master Tang Ying. This powdered six-sided general can has a valuable collection value. Qianlong period, porcelain technology can be said to reach six-sided bottles, also known as six-ring bottles. One of the most popular bottles in the middle and late Ming Dynasty, named for the bottle body as a six-prism. Qianlong Emperor Confucian good ancient, for Kangxi, Gong Zheng period left in the palace of pink porcelain is more regarded as a treasure. In addition to the pre-production system continues to burn in the palace, and for each piece of the preparation of Nanmu box, specially stored in the Qianqing Palace powder porcelain library (end of the temple). Qianlong period pink porcelain in the popularity far exceeds Kang, Gong two dynasties, more abundant instrument type. At this time, the composition, the group of English, talent, there is a special painting of flowers and birds fish insect situ painter Yu Province, painting the figure of the painter Zhang Tingyan, painting the figure of flowers painter Jin Tingbiao and so on as many as 17 people. Is involved in painting pink porcelain production staff of the most period. Qianlong period painters mostly from Guangdong, Jiangxi and the court, Qianlong emperor also from Jiangxi tuning will draw magnets, can blow glaze water and refining magnets to burn magnets artisan Hu Xinhou into the inner court. The formation of Qianlong powder porcelain "from a variety of materials", "decorative and beautiful" artistic characteristics. In addition to continuing the site of the Qing Palace House Office, the site of the burning of powdered porcelain in Qianlong was also burned in the Yuanmingyuan Office. There is a phenomenon of color and pink painting, while the use of rolling process performance objects of the three-dimensional effect. Porcelain part brings together QingKangxi, Qianlong, Jiaqing, Daoguang and other official kiln porcelain, including Qianlong period of a pair of yellow-colored pink paint gold pile flower Bo ancient six-sided bottle royal royal porcelain is the biggest highlight of this auction, similar to a piece of auction in the spring of 2007 at Sotheby's in Hong Kong sold for 22.72 million Hong Kong dollars, At present, only see the Shanghai Museum contains a piece of instrument-type, the same decoration of the "Qingyu Zheng green space pink paint gold pile flower Bo ancient hexagonal bottle", this piece of fine will be unveiled in Las Vegas, it is rare.