精品推荐绝佳长卷—大明盛世图

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【规格】长416cm 宽:28cm

Specification: Length 416cm Width: 28cm


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

浙江画派公认的第一代开山祖师 , 是580年前 , 曾经担任明宣宗皇家宫廷画师的戴进 。

Zhejiang Painting School recognized as the first generation of Kaishan ancestral teacher, is 580 years ago, once served as the Ming Xuanzong royal court painter Dai Jin.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

戴进(1389-1462)浙江钱塘人 , 字文进 , 号静庵 , 又号玉泉山人 , 署名袁江 。

Dai Jin (1389-1462) Qiantang people of Zhejiang Province, the word Wenjin, the number Jingyu, also the number Yuquanshan people, signed Yuan Jiang.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

明朝中国画大师 , 其山水源出宋代李唐、马远、夏珪等 。 四十岁前入宫 , 与众丹青高手同值仁智殿 , 五十四岁返乡开创中国画浙江画派 。

Ming Dynasty Chinese painting master, its mountain water source out of the Song Dynasty Li Tang, Ma Yuan, Xia Wei and so on. Forty years ago into the palace, with the high hand of the King Qing temple, 54 years old returned home to create chinese painting Zhejiang painting school.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

公元1433年 , 以南京夫子庙为中心的明朝秦淮风光 。 , 明宣宗宣德八年春 , 南京久旱 。 七岁的皇太子朱祁镇 , 即后来的明英宗 , 随父皇明太孙宣宗朱瞻基、生母孙皇后 , 其弟朱祁钰即后来的代宗 , 御使振恤 , 巡游南京夫子庙 。 明朝四世三位皇帝(朱祁镇两次出任皇帝) , 英宗的母亲孙皇后皇太后 , 同时出现在一幅画中 。 画中还有其他未考的皇亲国戚 。 成画的时间是公元1442年、明英宗正统七年壬戌 。 其时英宗朱祁镇已十六岁 , 亲政的年龄 。

In 1433, the scenery of the Ming Dynasty qinhuai was centered on the Temple of Fuzi in Nanjing. Ming Xuanzong Xuande eight spring, Nanjing long drought. Seven-year-old Crown Prince Zhu Weizhen, that is, the later Ming Yingzong, with his father, The Emperor Ming Taisun Xuanzong Zhu Zhanji, the birth mother and grandson of the Queen, his brother Zhu Yu is later on behalf of Zong, the Royal Minister Zhenyi, cruise nanjing Fuzi Temple. The three emperors of ming Dynasty IV (Zhu Weizhen twice served as emperor), and The Queen Queen, the mother of Yingzong, appeared in a painting at the same time. There are other untested royalties in the picture. The time of painting is 1442 A.D., Ming Ying zong orthodox seven years. At that time, Yingzong Zhuxuan Town was sixteen years old, the age of pro-government.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

从画面表现的历史真实情况的分析 。 明宣宗宣德八年 , 皇帝一家四口 , 其銮仪服饰年龄相貌 , 刚逃离京师的皇宫画师戴进最熟悉 。 明朝宣宗时 , 南京秦淮河风物人情 , 朝野百态 。 长期在此学画作画卖画的戴进最熟悉 。 这两项条件 , 就不是同时代其他画师和近三百年后 , 清朝康乾时期的“袁江” , 所能具备的 。

Analysis of the historical reality from the picture. Ming Xuanzong Xuande eight years, the emperor's family of four, its dress age looks, just fled the Beijing master's palace painter Dai Jin most familiar. When the Ming Dynasty xuan, Nanjing Qinhuai River wind and property, the north and the north. Long-term in this study painting painting selling paintingDai Jin is most familiar. These two conditions, is not the contemporaries of other painters and nearly three hundred years later, the Qing Dynasty Kang Qian period of the "YuanJiang", can have.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

翁同龢(1830-1904)中国近代史上著名政治家、书法艺术家 , 咸丰六年的状元 , 历任户部、工部尚书、军机大臣兼总理各国事务衙门大臣 。 先后担任清同治、光绪两代帝师 。 此图尾款有翁同龢亲自落款 , 笔画刚劲有力 , 风格苍浑遒劲 。

Ong Tongxuan (1830-1904) A famous statesman and calligraphy artist in modern Chinese history, Xianfeng, who has been a master of the Ministry of Household affairs, the Ministry of Industry, the Minister of Military Aircraft and the Minister of The Prime Minister's Affairs of various countries. Has served as Qing Tongzhi, Guangxu two generations of emperordivision. The end of this picture has Ong Tongyi personally dropped, the brush is strong, the style of the strong.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

此图 , 人物行草有顿挫 , 远景近景的布局磅礴大气 , 充分展现了当时金陵的面貌和当时的人文历史 , 实乃无价神品 。

This figure, the characters have a setback, the layout of the vision of the close-up, fully demonstrated the face of the Jinling and the human history of the time, is invaluable.


精品推荐绝佳长卷—大明盛世图

精品推荐绝佳长卷—大明盛世图// //

此作品作者是明代画圣戴进 , 它由光绪皇帝的恩师翁同龢临摹而成 , 落款光绪九年翁同龢题字 , 翁同龢评价如下:余阅此图实为少见之珍品明代戴进之笔师出马远其笔法精细决非一般画工所比喻宜以选入神品 。

The author of this work is the Ming Dynasty painting St. Daijin, it is made from the Guangxu Emperor's enswastotic master, the fall of Guangxu nine-year-old Ong Tong tong inscription, Ong Tongyi evaluation as follows: Yu read this picture is a rare treasure ming Dynasty Daijin pen master out of the horse far from its pen-law fine is not the general painting artist metaphor should be selected into the divine.